By Robert Benson
During this masterful mix of the sensible and the non secular, Robert Benson invitations you into the paintings and rewards of a writer’s lifestyles. greater than a primer on powerful writing, Dancing at the Head of a Pen is a winsome advisor to where within the center the place the lifetime of the spirit meets the lifetime of art.
“Dancing at the Head of a Pen is a natural satisfaction to learn. Encouraging, sincere, useful, and critical. i wished this book.”
—Melody Carlson, writer of extra 2 hundred books together with Finding Alice
“With misleading simplicity and a virtually seductive easiness in his voice, Benson lays open sooner than us the filigreed mystique of the writing lifestyles in all its attractiveness, its unmitigated angst, and its inescapable vocation.”
—Phyllis Tickle, writer of diverse books together with The Divine Hours
“Robert Benson’s Dancing at the Head of a Pen is a gem. it truly is clever, witty, and inspiring—a trifecta seldom completed via a publication at the writing life.”
—James Scott Bell, bestselling writer of Plot & Structure
After a few 40 years and approximately twenty books, i've got discovered i don't find out about loads of issues, yet i know the right way to write a publication. a few of these issues are conduct stolen from different writers, writers much better than i'm. a few are disciplines I stumbled upon to feed either the quality of the writing and the paintings of being a author. a few of them are practices i found alone after years of dancing at the head of a pen.
The lifetime of the Spirit Meets the lifetime of Art
A compelling blend of recommendation and inspiration, Dancing at the Head of a Pen will problem and inspire writers, artists, musicians, painters—anyone interested in a lifetime of inventive expression.
Digging deeply into his personal writing conduct, disasters, and successes, Robert Benson is helping you opt the best viewers on your paintings, decide to it, and triumph over the hurdles that unavoidably confront either aspiring artists and complete execs.
Extending past the craft of writing, this light booklet strikes right into a wealthy dialogue at the courting among spirituality and paintings. together with knowledge from respected writers previous and current, Dancing at the Head of a Pen is a gorgeous mosaic of notion, useful aid, and a glimpse into the disciplines that form one writer’s existence.
Read or Download Dancing on the Head of a Pen: The Practice of a Writing Life PDF
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How to put in writing Poetry is a compilation of confirmed and praised workshops and classes provided to millions of scholars of all English language degrees and cultural backgrounds. The direction fabric can simply be adjusted for small to massive teams, person guide, and residential use on your personal extra informal advent to writing poetry. Cynthia Sharp states in her creation, "What I give you is the paintings of poetry with a religious contact – a advisor to encourage your soul into phrases. we commence with meditative activates to rouse your internal voice. because the chapters boost, classical phrases and linguistics research are utilized into concrete steps adapted to reinforce the literary caliber of each poet’s imaginative and prescient. ”
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Many poetry scholars, old and young, have desired to write poems and percentage their poetic imaginative and prescient with the area. missing in education, self belief and data, studying the right way to write poetry for his or her personal books or poetry anthology by no means sees the sunshine of day. you can now how you can write poetry within the convenience of your house, at your rest and at a comfy velocity, constructing your craft to the touch the hearts and souls of poets and readers alike.
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Extra resources for Dancing on the Head of a Pen: The Practice of a Writing Life
If your writing style just “seems right,” what does that mean? Just right for what? Can you explain its sense to someone else? Do models exist to support your style preference? Are such efforts necessary to justify your own? Why or why not? I would like to pose several additional questions that come from my particular educational background and research experiences. I ask them because I am trying to answer them for myself. I think the issue of why we do what we do and how we represent the resulting constructions is linked to the larger issue surrounding our decision to use qualitative or quantitative methodologies in our research.
Marie, a correspondent in the first edition, comments on the emerging design of her thesis as well as her study. 14 CHAPTER 2 The chapter titles show how I drew on tradition and circumvented it: Chapter I. Definition of the Problem Chapter II. A Context for Inquiry (literature review) Chapter III. The Emerging Design Chapter IV. Overview: An Emerging Analysis Chapter V. Refining the Analysis Chapter VI. Two Case Studies Chapter VII. Conclusions and Implications Like my study, my dissertation had an emergent design, and this was no accident.
Traditionally, the modal number of chapters in a dissertation is 5; what is the norm at your institution? In your department? Does it matter? 10. How much control do the student, faculty members, and graduate school have in determining the appearance and style of the thesis? Which decisions, if any, are negotiable? 11. Do you know how much writing is involved? Are your committee members aware of how much reading is involved? 12. Is the goal of the dissertation to provide a piece of research for committee approval, for publication, or both?