By B. Venkat Mani
relocating deftly from the theoretical literature to the texts themselves, Mani’s groundbreaking research explores those conflicts and dialogues and the ensuing cultural hybridization as they're expressed in 4 novels that record the complexity of Turkish-German cultural interactions within the overdue 20th and early twenty-first centuries. His cutting edge readings will interact scholars of up to date German literature in addition to light up the dialogue of minority literature in a multicultural setting.
As Salman Rushdie stated within the 2002 Tanner Lecture at Yale, “The frontier is an elusive line, obvious and invisible, actual and metaphorical, amoral and ethical. . . . To pass a frontier is to be transformed.” it really is during this vein that Mani’s dynamic and refined paintings posits a nonetheless evolving discourse among Turkish and German writers.
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Extra info for Cosmopolitical Claims: Turkish-German Literatures from Nadolny to Pamuk
John Tomlinson’s insightful study Globalization and Culture resonates this challenge. Tomlinson describes globalization as “ever-densening networks of interconnections and interdependeces” (Globalization 2), and he probes “the sense in which culture is actually constitutive of complex connectivity” (ibid. 22, original emphasis). Toward the end of his examination of cultural implications of socioeconomic globalization deﬁned by connectivity and proximity, Tomlinson attempts to imagine the “Possibility of Cosmopolitanism”— the title of the last chapter of his book—and raises two questions: “How are people even to think of themselves as belonging to a global neighborhood?
Looking beyond separatism, my readings investigate, along with Seyhan, multiple and simultaneous “paranational alliances” that signal a critical distance from “both the home and the host culture” (Writing 10). With Adelson, I try to decode the “cultural fable” initiated and promoted by the rhetorical conceit of “in-betweenness” (Turkish Turn 17). However, my pursuit of the means of constituting literary ﬁgures in the TurkishGerman narrative zooms in on the very constitution of the subaltern perspective through the native informant, whom I present and discuss as the purported epistemological disseminator of migratory experiences, the curious perpetrator and victim of cultural nativism and cultural pluralism, the thought at the center of border thinking, with alliances and allegiances recognizable within and beyond immediate collectivities deﬁned by ethnicity and nationality.
A conﬂation of authors of non-German heritages in Germany with immigrant authors from ex-colonies in England and France merits criticism. However, postcolonial theory’s critical investment in demonstrating the epistemological imbalance in European representations of non-European subjects or immigrant minorities deserves sincere engagement.