An altar-piece of the Apocalypse from Master Bertram's by C. M Kauffmann

By C. M Kauffmann

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Extra info for An altar-piece of the Apocalypse from Master Bertram's workshop in Hamburg, (Victoria and Albert Museum. Monograph, no. 25)

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The Annunciation contains all the features of the Annunciation in the Grabow altar-piece, including the Child descending to the Virgin (fig. 5);37 the Death and Coronation have very close paralells on the Buxtehude altar-piece (figs. 12, 13). St. Giles (Aegidius) (pIs. 7, 21, 22) 1) 2) 3) St. Giles and the hind. The Saint, who lived a hermit's life near Nimes, subsisted on the milk of a hind. While hunting, the retinue of Flavius, King of the Goths, chased the hind, but the hounds refused to approach it after it had taken refuge with St.

Five small heads with tall, pointed hats are shown being weighed on the scales. They illustrate Alexander's interpretation of the third rider's scales. D. 70) and afterwards weighed the Jews and sold J4 them into slavery at thirty for one Denar, just as they had sold Christ for thirty pieces of silver. Alexander goes on to equate five Jews with one pound and this parr of his Commentary is literall y illustrated in the picture and quoted in the inscription. The third beast is the angel of St. :Matthew; its scroll is inscribed: animal tercium yeni et vide.

D. 37- 41), the first Roman Emperor after the Ascension of Christ. Hi s horse is white because the Roma n Empire had not yet spilled as much blood as in later times. The bow in his hands is aimed at the Jews, whom he persecuted and whose Temple in Jerusalem he destroyed. The first beast is the lion: its scroll reads: peimum animal veni et vide ("The first animal: come and see"). St. John is sayi ng "and I saw, and behold a white ho rse". (6. 2) (et vide et ecce equus albus). The inscription has been cut off at the top and on the right.

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